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DTSTART;TZID=Europe/London:20211110T150000
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DTSTAMP:20211110T165312Z
CREATED:20210831T171159Z
LAST-MODIFIED:20211110T165312Z
UID:10001398-1636556400-1636560000@www.st-andrews.ac.uk
SUMMARY:Moral Philosophy Reading Group
DESCRIPTION:Moral Philosophy Reading Group\nDescription: This group reads and discusses an article per week\, chosen by a different member each time. \nDay/time: Wednesdays 3pm to 4pm on Teams. \nOrganizer: Theron Pummer (tgp4).
URL:/philevents/event/moral-philosophy-reading-group-69/
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DTSTART;TZID=Europe/London:20211110T160000
DTEND;TZID=Europe/London:20211110T180000
DTSTAMP:20211110T162309Z
CREATED:20210812T190914Z
LAST-MODIFIED:20211110T162309Z
UID:10001363-1636560000-1636567200@www.st-andrews.ac.uk
SUMMARY:Feminist Philosophy and Social Theory Seminar: Colin Troesken
DESCRIPTION:Colin Troesken will lead a discussion of Anne Eaton’s paper ‘A Lady on the Street but a Freak in the Bed’: On the Distinction Between Erotic Art and Pornography (abstract below). \nPlease be aware that the paper includes examples of the sorts of erotic art under discussion. As usual\, the discussion leader will provide a short summary of the paper and we encourage those who have not had time to read the paper in full to still participate in the discussion. \n\n\nTitle: ‘A Lady on the Street but a Freak in the Bed’: On the Distinction Between Erotic Art and Pornography \n\n\nAbstract: How\, if at all\, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints\, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the function of erotic images in 16 th -century Italy. This exploration suggests that the root of the erotic art/pornography distinction was—at least in this context—class: in particular\, the need for a special category of unsanctioned illicit images arose at the very time when print culture was beginning to threaten elite privilege. What made an erotic representation exceed the boundaries of acceptability\, I suggest\, was not its extreme libidinosity but\, rather\, its widespread availability and\, thereby\, its threat to one of the mechanisms of sustaining class privilege.
URL:/philevents/event/philosophy-and-social-theory-seminar-8/
CATEGORIES:Philosophy & Social Theory Arché Seminar
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